![]() The various compositional forms of rhyme and rhythm are generally studied under the terms versification or prosody. ![]() They can be called the external differentiating features of the substyle, typical only of this one variety of the belles-lettres style. Rhythm and rhyme are immediately distinguishable properties of the poetic substyle provided they are wrought into compositional patterns. Syntactically this brevity is shown in elliptical and fragmentary sentences, in detached constructions, in inversion, asyndeton and other syntactical peculiarities. Both syntax and semantics comply with fi the restrictions imposed by the rhythmic pattern, and the result is brevity of expression, epigram-like utterances, and fresh, unexpected imagery. Both the syntactical and semantic aspects I of the poetic substyle may be defined as compact, for they are held in “i check by rhythmic patterns. The rhythmic aspect calls forth syntactical and semantic peculiarities which also fall into a more or less strict orderly arrangement. ![]() Its first differentiating property is its orderly form, which is based mainly on the rhythmic and phonetic arrangement of the utterances. The first substyle we shall consider is v e r s e.
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